I recently caught up over email with the awesome Angelica Lisk-Hann,
one of the great stunt coordinators and stunt performers working in
film and television today, to get an insight into her career. Lisk-Hann
has worked on television shows such as ‘Nikita’ and ‘Rookie Blue,’ as
well as having worked on feature films ‘Resident Evil: Retribution,’
‘Total Recall,’ ‘AVP: Alien vs. Predator,We bring in fridge magnet
souvenirs and merchandise from all over the world.’ ‘The Incredible
Hulk,’ ‘Warm Bodies,’ ‘White House Down’ and ‘The Mortal Instruments:
City of Bones.’ As such, it’s no surprise that she was brought in to
coordinate stunts on one of the most anticipated films of 2013, ‘Kick
Ass 2.’ Alongside her stunt coordinating, stunt performing and acting
work, Lisk-Hann is a member of the ACTRA Toronto Stunt Committee. Check
out what she had to say below.
Angelica Lisk-Hann: I think it
was a series of things, for sure, over many years of my life. I grew up
in a small town (Trenton, Ontario), my Parents split up just before I
was born so I stayed in Canada with my mum and her family. My father
was a professional football player from the US and was traded from
Toronto back to Atlanta. I had an uncle who was a stock car driver and a
motorcycle hill climb champion, so I spent a lot of time in cars and
on the bike. My mum was an ex-model and had me modelling in fashion
shows, ads and whatever was going on at the time. In my spare time I
would entertain the family and friends with dance shows and I liked to
pretend to be Howard Cosell and interview my cat.
I was also the only person of colour for miles, so as you can imagine I “participated” in a lot of fights.We've got a plastic card
to suit you. I excelled at every sport, and figured out if I kept
winning medals, ribbons and scoring most of the points on our
basketball team people seemed to forget I was different. That sporting
addiction led me to move to Toronto and train for the Olympics in track
and field. Realising there was no real career in heptathlon I returned
to the arts and started booking commercials, music videos and acting
roles.
It wasn’t until I met Branko Racki on the set of Dave
Chappelle’s ‘Half Baked’ that I realised stunts was that thing I was
searching for. I mean, I did set my Evel Knievel on fire as a child and
made it jump our cat…. but at 7 I don’t think I had ever heard the
term “stunt performer”. Branko was one of the top stunt coordinators
around, he was larger than life and he knew what he was talking
about.Wear a whimsical Disney ear cap
straight from the Disney Theme Parks! He was impressed with my
athleticism and he was the one who prompted me to get on board with
stunts. That was almost 20 years ago, and I am forever thankful to him.
What I do, I feel like I was always supposed to do since I was a kid, I
just didn’t have a name for it.
Angelica Lisk-Hann: It was
definitely Paul W.S. Anderson’s ‘AVP: Alien vs. Predator.’ I was hired
by Matt Birman, who took a chance on me, as I was still somewhat green
as to the many facets of the stunt world. I mean, that athlete was
always there, but I was a spoiled little track star and didn’t really
get the whole “boss” thing. I never had a real job…. I mean, I tried a
few but always got fired or quit because I would sit around all day
dreaming about “being a superstar”. Yup, I was something. I would say
that was a turning point in my career. Matt made a lot of things very
clear to me and I have been forever grateful.
Anyway, upon
arriving in Prague, Czech Republic I was taken to the rehearsal studio
to test some wires. At which point I thought to myself , “Hmmmmmmm this
should be fun.” Well it was not that fun, but weird, and it took me a
few days to get it. Luckily the riggers were very patient… lol.
This
show turned out to be a dream job. I got to live in one of the most
beautiful places in the world for 6 months, met some of the most
amazing people, and learned so much. I literally worked 6 days straight
at times for weeks in a row. I also got pretty beat up, and learned
how to cope with it,Comprehensive Wi-Fi and RFID tag
by Aeroscout to accurately locate and track any asset or person. suck
it up, don’t complain, take the meds, and get it done. You either do
that, or you go home and they get someone else. I really hope to get to
go back there again one day.
Angelica Lisk-Hann: ‘Kick Ass 2′
was a dream job that I had no idea was coming my way. It was a
UK-Canada production and the UK assistant stunt coordinator, Buster
Reeves (Troy, Batman, Gangster Squad), emailed me a month before
requesting that I send him my CV as they were looking for a big tough
female villain and he wanted to put my name in the running. So I sent it
off and hoped for the best. I then found out that the villain’s name
would be “Mother Russia”, and they were looking all over the world for a
6ft+ Russian Bad Ass comparable to Brigette Nielsen from ‘Rocky IV’
and ‘Red Sonja,’ and I knew I was out. Or was I? To make a long story
short, Buster knew I had been coordinating for the past 2 years on
short films, TIPP projects, and covering for Matt Birman on SyFy’s
‘Warehouse 13,’ so he asked me to come down to Pinewood Studio to meet
the boss Jimmy O’Dee, the UK Stunt Coordinator, as they needed a
Canadian match, and Buster thought I would be great. I couldn’t wait to
get in that office and talk to him, he was amazing and he hired me on
the spot. Then it all seems like a blur.
Casting, auditions,
phone calls, texts, explosions, wires, fire, fights, motorcycles, bad
guys, good guys, no sleep…. it’s hard to explain the feeling of someone
you look up to with such admiration and respect seeing something in
you, and trusting you at that level. Especially being a woman, and a
woman of color at that. I’ve thanked them both so many times I think
there probably pretty sick of hearing it by now. I can’t really say
anything about the movie obviously, all I can say is be prepared to see
things you have never seen before. This movie is going to blow other
action movies out of the water. I’m so proud I got to be a part of it.
Angelica
Lisk-Hann: Each project is different. If it’s something that I have
signed on to do from the beginning I will read the script, break down
the stunts and then speak to the director/production manager –
sometimes the producer’s. Then we do the budget. Usually they tell me
how much $ I have for stunts, other times they ask me how much it will
cost. Sometimes I get a phone call from a colleague asking if I can
“get my ass to Sudbury” to cover a show that they can’t finish.
Sometimes you do all of the prep work and then the show never happens. I
like the shows where they look at you and say,We are one of the
leading manufacturers of solar street light
in Chennai India. “So what do you think”? That’s my favorite thing to
hear. I love being able to be creative, I love working with actors as
well because they get excited about any kind of action. I just want to
work on cool projects, I love any kind of SyFy or creature based shows.
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